Cannes 2025: Wes Anderson ratchets up the whimsy in The Phoenician Scheme, doesn’t stick the landing

Wes Anderson is famous for his unique style. He uses vibrant colors, precise framing, and quirky characters. His latest film, The Phoenician Scheme, premiered at the 2025 Cannes Film Festival. This film mixes his signature whimsy with a more serious and quiet tone. While the film shines visually and tells an intriguing story, many critics say it lacks emotional impact and energy. It feels different from his previous work.

An Unusual Story of Power and Family

Set in the 1950s, the film focuses on Zsa-zsa Korda (Benicio del Toro). Korda is a wealthy tycoon with a dark side. In a surprising move, he names his daughter, Sister Liesl (Mia Threapleton), as his sole heir. The twist? She is a nun-in-training. This sparks a story full of corporate battles, spies, and assassins all after Korda’s fortune.

The story explores inheritance, power, and loyalty. Anderson adds his touch of absurd humor and unique visual style. The contrast between a nun and a ruthless business world creates tension and dark comedy.

Visual Style: Less Color, More Mood

Visually, Anderson takes a new path. Unlike his previous films, which use bright colors and perfect symmetry, this movie is more muted. The colors feel faded and vintage. The frames are carefully composed but create emotional distance rather than charm.

This shift gives the film a melancholic feel. Some viewers love the moodiness, but others miss the lively energy of his earlier works. The production design is stunning. A standout is the custom rosary made by Cartier. This piece, made with white gold, diamonds, and rubies, becomes a key symbol in the film. It reflects the mix of faith and materialism in the story.

Understated Performances

The cast combines longtime Anderson collaborators and new stars. Bill Murray returns, alongside Scarlett Johansson, Tom Hanks, and Benedict Cumberbatch. The acting here is more subtle than usual. Benicio del Toro plays Korda as a quiet but powerful figure. Mia Threapleton’s Sister Liesl shows inner conflict without big emotional outbursts.

This quieter approach suits the film’s mood. However, some viewers might miss the eccentric, larger-than-life characters Anderson often creates. The subtle acting fits the story but sometimes makes it harder to connect with the characters.

Mixed Reviews: A Polarizing Film

Critics are divided on The Phoenician Scheme. Many praise the film’s visual style and ambition. They see it as a bold step into new territory for Anderson. The themes and details are rich and well-crafted.

Yet others point out that the story moves slowly and lacks excitement. The muted colors and flat visuals, while beautiful, add to a sense of distance. This makes it tough for some to fully engage with the film. Fans of Anderson’s lively films may find this one challenging. But those who enjoy thoughtful, mood-driven stories may appreciate it more.

A New Direction for Wes Anderson

This film marks a new chapter for Anderson. It shows a director willing to experiment beyond his usual style. He combines his love of detailed design and quirky tales with a serious, reflective mood. While it may not have the instant charm of his past hits, it offers a fresh, complex take.

The film raises questions about Anderson’s future work. Will he continue exploring deeper themes? Or return to the playful whimsy that made him famous? Either way, The Phoenician Scheme adds something unique to his career.

Looking Ahead

The Phoenician Scheme will see a limited release starting May 30, 2025. A wider release will follow on June 6. Given the mixed reactions, it will be interesting to see how wider audiences respond.

Though not a perfect film, it stands as a bold artistic effort. It challenges expectations and blends whimsy with serious themes. For fans of Anderson or those who enjoy visually rich, thought-provoking movies, it is a must-watch in 2025.